![]() The cross motif gets so out of hand that by the end we have a gross of them in a single shot, the storm is an unoriginal device, and is badly matted, as are the shots of family names on the tops of buildings. ![]() The decision to make Mercutio a drag queen make so little sense that I wonder if I'm still watching a 16th century play, and the whole enterprise is horrendously overdirected. The casting is utterly bizarre, with Danes displaying all the talent of a jar of water, Postlethwaite miscast as a priest, and Margolyes overacting horribly. The basic setting doesn't really work beyond the most surface level, although using a newscaster as a narrator is a good idea. ![]() How do I hate thee? Let me count the ways. Baz Luhrmann's loud, brash and irritating adaptation is possibly the most pathetic attempt at updating the Bard I can remember. Updating the plays of Shakespeare has occupied the minds of many filmmakers, but it is a good idea to try to occupy the minds of the audience as well.
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